In this episode, Bart and Jenna trace Joanne Woodward's 1960s films alongside that of her more famous husband and decide that hers are the ones they really wanted to talk about.

Bart & Jenna open their minds and hearts and experiment with a global variety of films that explore the highs and lows of sapphic love.

Bart & Jenna explore the Czechoslovak New Wave through the darkly funny films of Miloš Forman, Ivan Passer, Jaroslav Papoušek and Václav Šašek.

Bart & Jenna dive into the magical 1960s films of Aleksandr Rou – a mystical, technicolor world of amazing costumes, practical effects and live bears… aka Soviet fairy tales.

Bart & Jenna watch every Man From U.N.C.L.E. movie from the 1960s then discuss the television show's bootleg Bond origins and the subsequent U.N.C.L.E. mania that followed.

Bart & Jenna play Kiss Marry Kill with the year 1966. Including discussion on How To Steal A Million, The Round-Up, Death of a Bureaucrat, Once Before I Die, The Swinger and Trans-Europ-Express.

Bart and Jenna dust off a 1962 article by Stanley Kauffmann on Truffaut’s Jules and Jim to use as a sounding board for how and why ‘60s filmgoers showed up for and reacted so favorably to challenging “art” films.

Nancy Kwan had two major hits right in the beginning of the decade, and then what? Bart & Jenna investigate the bizarre twists and turns of Kwan’s ‘60s career and the pitfalls of being a Chinese actor in the dominantly white world of Hollywood.

Bart & Jenna dive into the work of Haskell Wexler – one of the true auteur cinematographers who got his start in the 1960s. Featuring a heated debate on Who’s Afraid of Virginia Woolf?, as iconic in wit as it is in visual flare, and Medium Cool – a hybrid film that incorporates almost every trick he learned from the decade.

Guest Ann Kibbie, English Literature professor at Bowdoin College, joins Cinema60 to discuss Jack Lemmon and Lee Remick's Days of Wine and Roses – a film she classifies as being firmly in the horror genre.

In this very NSFW episode, Bart & Jenna discuss the boundary pushing films of 1969 Japan, one of their favorite New Wave movements. Replete with nudity, graphic violence and sexual themes, it’s some of the wildest stuff they’ve covered yet.

Guest Paul Bishop of the Six Gun Justice podcast joins us to discuss The Professionals. From talk of truth and morality, sexism and racism, as well as some memorably badass women warriors, they’ve got quite a bit on their plate.

Bart & Jenna set out to define Jazz Anxiety movies, a genre that they made up. Beyond just utilizing jazz to get across a mood, all of these movies actively reflect the scores in their filmmaking, resulting in abstract visual punches to non-linear plots.