Bart & Jenna take a dutch-angled romp through a series of nihilistic, anti-Bond spy films and find there’s plenty of drama to be found in a more realistic portrayal of spy work.

Bart and Jenna dust off a 1962 article by Stanley Kauffmann on Truffaut’s Jules and Jim to use as a sounding board for how and why ‘60s filmgoers showed up for and reacted so favorably to challenging “art” films.