Posts tagged New Wave
Ep #43 - Japanese New Wave Cinema in 1969
Ep #43 - Japanese New Wave Cinema in 1969

In this very NSFW episode, Bart & Jenna discuss the boundary pushing films of 1969 Japan, one of their favorite New Wave movements. Replete with nudity, graphic violence and sexual themes, it’s some of the wildest stuff they’ve covered yet.

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PodcastGrateful GuysJapanese, Nuberu Bagu, New Wave, Boy, Nagisa Oshima, 1969, Double Suicide, Masahiro Shinoda, Kichiemon Nakamura, Shima Iwashita, Shizue Kawarazaki, Eros + Massacre, Yoshishige Yoshida, Mariko Okada, Toshiyuki Hosokawa, Yûko Kusunoki, Blind Beast, Eiji Funakoshi, Mako Midori, Noriko Sengoku, Funeral Parade of Roses, Toshio Matsumoto, Pita, Go Go Second Time Virgin, Koji Wakamatsu, nudie flick, Yasuzo MasumuraComment
Ep #11 - Agnes Varda in the 60s
Ep #11 - Agnes Varda in the 60s

During the 1960s, Varda was not only breaking down barriers of film and gender, but she was coming into her own style as one of the true auteurs. Jenna and Bart take a look at her feature films and shorts of the decade.

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PodcastGrateful GuysAgnes Varda, French, New Wave, Short Films, The Fiances of the Bridge Mac Donald, Cleo From 5 to 7, Salut les Cubains, Le Bonheur, Elsa La Rose, Les Creatures, The Creatures, Uncle Yanco, Black Panthers, Lion's Love ...And Lies, Far from Vietnam, Far From Vietnam, Shirley Clarke Comment
Ep #3 - Anna Karina With Godard in the 60s
Ep #3 - Anna Karina With Godard in the 60s

Since Jean-Luc Godard can cause certain people to run as far away as possible, we decided to tackle his occasionally difficult output in the most approachable way possible: Anna Karina.

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PodcastGrateful GuysFrance, French, New Wave, Le Petit Soldat, Jean-Luc Godard, Anna Karina, A Woman is a Woman, Une femme est une femme, Jean-Claude Brialy, Jean-Paul Belmondo, Vivre Sa Vie, My Life to Live, Band of Outsiders, Bande à part, Sami Frey, Claude Brasseur, Pierrot le Fou, Alphaville, Eddie Constantine, Made in U.S.A., László Szabó, Jean-Pierre Léaud, Claude Autant-Lara, Cahiers du cinémaComment