Bart & Jenna set out to define Jazz Anxiety movies, a genre that they made up. Beyond just utilizing jazz to get across a mood, all of these movies actively reflect the scores in their filmmaking, resulting in abstract visual punches to non-linear plots.

By the 1960s, Luis Buñuel had settled into his late career streak of unparalleled masterpieces. Bart & Jenna investigate the surreal and Catholic-guilt ridden world of this atheist auteur. To their own surprise, it turns out they don’t really see eye-to-eye on any of his films.

Guest Aviva Briefel joins Bart & Jenna in an episode that focuses on Rosemary’s Baby. Aviva tells them why this is her favorite film ever and discusses its many themes–including body horror, misogyny, Satanism and bigotry.

1964 was a year that represented a real turning point for movie musicals, mixing enduring classics with cutting edge Rock'n'Roll films.