Bart & Jenna use Susan Sontag’s article as a sounding board to dissect Bergman’s filmmaking and explore the depths of Persona, as well as muse on whether or not cinema must have a “point.”

Bart & Jenna play Kiss, Marry, Kill with the year 1968 – including in depth discussions on the pitfalls of 60s masculinity, the triumphs of 60s feminism, and getting super high in front of your parents. Or, well, Peter Sellers’ parents.